In some African tribes, India & also Iran, clay pots are used as percussion. The clay pot, partly idiophone & partly aerophone, is the same pot that has traditionally been used for carrying & keeping water but has also had the function of a musical instrument. Despite its simple shape, it has significant capability in playing various kinds of rhythms. Kuzeh (Iran) In Baluchestan, two Kuzehs are played with a metal platter. This combination, the oldest idiophone instrument in Baluchestan, is known as Kuzak & Tal. The Kuzeh is never played separately. Rather, it is always accompanied by a platter. The player can change the pitch by adding water into these clay pots. The Kuzeh of Kerman is Spindle-like with no handhold. They are made in small & large sizes to accompany folk songs. Because of the uneven bottom, the player uses special holders or holds it by hands or legs. Since time immemorial, the white clay pot has been common in Hormozgan province. Called Jahleh, this pot is completely round & spherical. To play Jahleh, one palm vertically beats on the throat while the other hand strikes on the body. The sound of the throat is thick while the sound of the body is relatively dry. The combination of these two sounds is marvelous. Jahlehs are played singly or together by a group, though each player never uses more than one Jahleh at a time. No water is added into Jahleh as there is no need to change the pitch. Nigeria (Udu) The word Udu means both pottery & peace in the Igbo (a tribe in southeastern Nigeria) language. It has many different names in Nigeria, depending on tribal areas & ceremonies in which it is used. "Abang mbre" or "pot for playing" is the name generally ascribed to it. The pottery & other sacred items become a medium for spirits, ancestors & gods. The Igbo perform prayers & sacrifices before them to please the spirits & ask them for help & guidance. During these rituals, the deep haunting sounds of the Udu drums are believed to be the "voices of a