268 Yellow Tuff

268 Yellow Tuff *** □△ G P.BK.8, P.Y.43

It is part of the family of natural ochres, has a rich color of wet sand with a cold undertone, creating a sepia effect on an old photograph due to the soft effect of granulation.

386 Red Brown Hematite

386 Red Brown Hematite *** P.Br.7

634 Grey-Violet Granite

634 Grey-Violet Granite *** □△ G P.BR.7

This is a new monopigment color of granulating paints, which contains natural earth with the name of the pigment Brown Iron Oxide (P.Br7). Transparent, delicate, muted, cold gray-purple color with a red-brown tint, has a pronounced granulation effect. Due to the unique properties of the color, it looks harmoniously in any color palette, because its color can be called neutral.

633 Augite Porphyrite

633 Augite Porphyrite *** □△ G P.R.102

Augite Porphyrite is a noble shade of granulating series of watercolors "White Nights." This color has a delicate granulation and is ideal for the grisaille technique. This paint opens well on the coarse-grained surface of the sheet, and there must be enough paint and water for the color to flow freely over the surface of the paper.

389 Scarlet Mist

389 Scarlet Mist *** □ ◮ G P.G.19, P.R.188

Scarlet mist is one of our beautiful red granulating shades. Paint can be used in complex mixes and can produce beautiful shades when mixed with other paints (especially when the latter are pure in color and they are close to spectral shades). Depending on the thickness of the paint layer and types of brushstrokes, an artist get completely different effects.

387 Ruby Mist

387 Ruby Mist *** G P.G.19, P.R.170

Ruby mist is one of our amazing granulating shades. Like all our granulating colors Ruby mist fascinate by the movement of pigments in water. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. It gives good shades in mixtures with most of the colors of the palette.

382 Rose Mist

382 Rose Mist *** ◨ ◮G P.B.28, P.R.122

Wonderful Rose mist has an excellent pink-purple color and granulation quality of blue (Cobalt turquoise) with pink tone (Quinacridone pink). Pink tone is quite strong, it remains noticeable even in mixtures with some paints. The main granulation of blue can be effectively supplemented with other paints (Ultramarines, Cobalts, Mars black). Rose mist expands the palette of purple colours. It can be successfully used to solve a variety of tasks in painting.

561 Turquoise-Rose Mist

561 Turquoise-rose mist *** ◨ ◮G P.B.28, P.R.264

Turquoise-rose mist has a noticeable effect of granulation of blue pigment with the release of rose . The most effective will be on white paper or very weak in color and glazing tones which will be combined with rose shade. At the same time it is possible to enrich the basic granulation of bluish-gray with other colors (ultramarine, cobalt, mars black) having granulation properties. The paint works very well in calligraphic techniques.

762 Green Mist

762 Green Mist *** G P.B.28, P.Y.3

Green Mist color from our granulating series, developed on the basis of Cobalt Blue (P.B.28) and Hansa Yellow (P.Y.3) pigments. The shade is dark in tone and colder in color.

763 Yellowish Green Mist

763 Yellowish Green Mist *** ◨ ◮G P.B.35, P.Y.3

Yellowish green mist is a warm, soft green sonorous color, specially developed for the new collection of granulating paints, has a pronounced granulation property due to the presence of Cerulem blue pigment (P.B.35) and a cold transparent yellow undertone due to the second pigment P.Y.3 (Hansa Yellow)

563 Chromium Cobalt Mist

563 Chromium Cobalt Mist *** P.B.28, P.G.17

832 Grey-Rose Mist

832 Grey-Rose Mist *** ◨◮ G P.B.29, P.G.17, P.R.187

Grey-Rose Mist is a paint of a granulating series, and has a strong granulation effect due to Ultramarine Blue, which is part of it, and the granulation effect is best manifested when using a large amount of water. Gray-pink Mist is good for depict the sky in the foliage gaps, give tonal depth to an array of greens and work with shadows.